A Writer’s Perfect Week

Writer friends from our local ACFW

It has been a writer’s perfect week. I wish I had a word for it! A perfect storm (of which I’ve experienced many over the years) is a “particularly bad state of affairs, arising from a number of negative  factors,” according to the dictionary. But this week was the opposite: a writer’s perfect week.

While I don’t believe a picture is worth a thousand words (or I wouldn’t be in this business), I love photos that tell stories too, so they’re sprinkled throughout.

Two Big Events

Two things made this such a great week: a national writers’ conference last weekend, and my research trip to England tomorrow!

Hyatt Regency

I’m president of our local branch of ACFW (American Christian Fiction Writers), and this past week was our National ACFW conference. We met downtown at the Riverwalk. (That is a view from my room.) As host city, we were responsible for a few things, like transportation for VIPs. (Thank you again, Bruce Judisch!)

 

Milestone Pin award

On Thursday night I was surprised before the dinner by receiving a “Milestone Pin” for having had more than 50 books published with traditional publishers. My friend’s photo caught us as we left the stage. 

Incredible Speakers

Frank Peretti

The speakers this year were superb, and it was an honor to sit under the teaching of authors I had admired and read for decades. They were all so generous with their time and “secrets of the trade.” One special time for me was meeting Frank Peretti, author of two books I read in the 80s (This Present Darkness and Piercing the Darkness) that made a huge impact on me (as well as the other 3.5 million people who bought the books.) He was hilarious and deep, a rare combination, and such a kind man. He was our keynote speaker for the weekend, plus he shared in workshops, and I came as close to being a groupie fangirl as I have ever come in my life.

Other speakers who were favorites were Allen Arnold, James Scott Bell, Robert Dugoni, and Susie May Warren. They all shared deeply moving stories about their lives as well as teaching on writing.

One especially encouraging thing happened with the pitches for my new series idea set in the Yorkshire Dales in England. The agent I spoke with, and both editors I “pitched” the idea to, were very interested and want to see it. I am so grateful for this encouraging “shot in the arm.” It doesn’t mean a sale, but it’s the next step in that direction.

Perfect Timing

The Old Brewhouse flat

So, I head back to England tomorrow, to a small flat in Settle, England, to work hard on Book 1 and finish research for Books 2 and 3. My head is practically bursting with ideas after sitting in 16-18 hours of excellent teaching. My next three weeks will be filled with writing, reading, museum visits, talking to the sheep on my hikes…and then starting the cycle over again. I can’t wait! I’ll post some photos and news throughout the time I’ll be there.

And if anyone knows a word for the opposite of “a perfect storm,” let me know!

 

 

Success Without Self-Promotion?

Not a week goes by that I don’t get an email asking this question: “I don’t have enough time and energy to do the self-promotion and platform building that is required now. It drains my creativity, sometimes stifling the muse altogether. Is there a way out of this?”

Some authors and business leaders are now saying “yes.”

[FYI: If you disagree with this article, at the end I have listed tools to use to promote your book and build your platform.]

What Really Sells Your Book?

I recently read a thought-provoking article called Success Without Self-Promotion: The Rise of the Invisibles by David Zweig. Below are a few quotes from his article. I don’t necessarily agree with it all, but if you’re a writer who cringes at self-promotion, it’s worth thinking about. Consider these quotes:

You’ve probably been told that to get ahead in business, you need to “raise your profile” or “build a platform.” We live in the era of the “branded self,” with marketing gurus telling you that to excel, you have to manage your persona, the appearance of your work, and your online profile, making these tasks more important than the work itself.

If you’re at all like the Invisibles, you might feel that living in a culture upholding these values is like being on a horrific carnival ride spinning wildly, where every passenger is blaring his or her own air horn…I’m here to tell you something the marketing folks don’t want you to hear: it’s okay to step off the wheel.

and

We do care about our work, but we also feel compelled to spend an inordinate amount of time and energy on shaping the perception of our work to others. It’s not that outward appearances have no bearing on one’s advancement, but it’s far lower than the prevailing business culture would lead you to believe.

We’re All Different

For those of you who don’t mind marketing, or are extroverts, or time isn’t a problem, here are those links:

 

Set Your OWN Course

Imagine for a moment that you are flying to an exotic island.  An hour or so into the flight the pilot announces over the intercom, “I have some good news and some bad news. The bad news is our radio is out and our navigational equipment is damaged. The good news is we have a tail wind, so wherever we’re going, we’ll get there at a rate of six hundred miles an hour.”

(from Calm My Anxious Heart by Linda Dillow)

Momentum is great, but…

In your writing career, are you like the passengers on the good news/bad news plane ride? Are you barreling ahead at a lightning pace, but your radio is out and your navigation system is damaged? Are you traveling at 600 mph in your writing, but leaving the direction to chance and gut feelings?

These days, with the emphasis on the “platform” expected of writers, this is an easy mistake to fall into. We are told by marketing experts that we need to have a website and a blog (with up-to-the-minute search engine optimization), podcasts, teleseminars, and newsletters. We also need to be “seen” on social networks (like Facebook, Twitter, Goodreads, Pinterest, Google+ and LinkedIn) and quickly gain thousands of “friends” and “followers.” We need to read dozens of other writers’ blogs and leave links back to our websites. Doing even half of this takes hours every day, leaving you with the feeling that you’re zipping along through cyberspace at lightning speeds.

But what about your writing time? Are you flinging yourself out there to build a platform without a functioning navigation system? Do you know where you’re headed–and why?

Chart Your Own Course

If you try to jump on every bandwagon that comes along, you’ll continually rush, rush and wonder at the end of the day if you accomplished anything. You will miss valuable hours to study your craft, read books in your area of interest, and WRITE.

Be sure, if you’re building a platform, that each leg of it supports what you want to do as a writer. For example, with this blog and my newsletter, my overall goal is to help other writers. I announce blog posts (mine and others I’ve found helpful) on Twitter and Facebook. I don’t do all the other stuff. There’s no time–not if I also write.

I spend 4-5 hours most weeks on platform building. It’s more the first of the month due to writing the newsletter. I know many writers who are so caught up in social marketing that they have almost ZERO time to read and write. Whenever I ask them if the merry-go-round is worth it, I have NEVER had someone say “yes.” They always say, “I sure hope it will pay off someday.”

It’s Up to You!

Listen to all the marketing advice out there, but don’t jump on every bandwagon. Evaluate each idea, determine if it’s something that would fit the purpose of your writing, and still leave you enough time to write.

You don’t want to get to the end of your writing days and realize you’re clear off course. Chart your own course and determinedly stick to it.

Your Best Promotional Tool

Every week I get questions like this: “I don’t have a book out yet [or my first book came out last year], but do you think I need to have a website, a blog, a newsletter, be on Facebook and LinkedIn and Goodreads, and also tweet on Twitter daily? Is all this self-promotion necessary?”

I wish I knew!

A Voice of Reason

If you believe everything you read that “they say,” you might think you needed to do all that self-promotion. However, I’m inclined to think James Scott Bell in his book The Art of War for Writers is closer to the mark.  In talking about self-promotion, he said, “The more anxious you are about forcing success through self-promotional effort, the less creative energy you have for the writing itself.”

Why? “Because,” Bell says, “the most important promotional tool you have is your best book. Period.”

Creating that “best book” of which you’re capable takes hours and hours of writing and revising, learning new skills, honing your craft, your heart and soul, your blood, sweat and tears. He cautions writers not to dilute their strengths by obsessing over promotion. (Isn’t that a breath of fresh air?)

Good, Better, Best

Bell gives an interesting list of the “ten best forms of self-promotion.” Only one item on the list deals with the Internet. He simply calls #4 on the list your “web presence.” Guess what SIX of the items on the list are. Your book. He says that a good book–and the word of mouth it generates–will do more for your sales than all the Internet marketing efforts put together. That has been my experience personally, but it’s rare to find such a successful author say so. Rare and refreshing!

Concerning the questions I receive weekly about Internet promotion: I think I’m going to start quoting Bell’s book from now on. His simple guideline for “how much” self-promotion to do is this:

“Do what you can without (a) taking away from the quality of your writing time; (b) taking away from the quality of personal relationships, and (c) taking on debt.”

Now that’s food for a lot of thought.

Obnoxious Marketing

I sat down last night to finally go through a stack of magazines and other periodicals that had accumulated. I looked forward to flipping leisurely through the pages, stopping when a title caught my eye.

So why was I fuming within thirty seconds? All that infernal marketing done with post card-type inserts stuck inside. I hate them! Instead of the pages fluttering nicely, they jerk by in clumps unless you take the time first to go through and yank the ads out. I ripped out NINE such inserts in one magazine alone. The stack of worthless garbage littered the floor. It makes me want to boycott their products–not buy them.

Viral Marketing?

Hawking wares–telling people about your product repeatedly–never works on me. I’m affected the same way by email campaigns from people I don’t know in newsletters I didn’t sign up for.

I know that when a new book comes out, we’re supposed to blitz people with “see my new book!” and “watch my new trailer!” and “join me for a free teleseminar!” and “view my podcast!” and “meet the author!” and “read my guest blog tour!” and “read my starred (Amazon) review!” Maybe it works for other people, but I just end up feeling nagged and put off by this after a while.

Where’s the Balance?

I know you need to market, and I like to hear good publishing news as much as the next author. It’s important to be willing to help with marketing your books in this publishing day and age. But there’s a big difference between a couple of announcements and ten blasts. You don’t want to cross over from intriguing a buyer into annoying him.

How do you decide where to draw the line? I very much suspect it’s a personal–and personality–thing. How do YOU feel about it?

Marketing Help is Here!

The Frugal Book Promoter: Second Edition: How to get nearly free publicity on your own or by partnering with your publisher.

I very rarely read an e-book and then buy the hard copy–but I did in this case. I have to mark it up, add my colored flags and post-its, and turn down page corners.

Why? Because it is so very full of practical, usable, frugal marketing advice. (And I mean frugal in terms of both money and your time.) I already owned the 2004 first edition, but publishing times have changed so much–and this 2011 updated version reflects that.

Why a New Edition?

We all know that book promotion (and life!) has changed since The Frugal Book Promoter was first published in 2004–particularly in ways that have to do with the Web, but in other ways, too. As an example, the publishing world in general is more open to independent publishing now than it was then. So, this update includes lots of information on ways to promote that were not around or were in their infancy a few short years ago.

So here is what is new:

  • A simplified method for making social networks actually work–without spending too much time away from my writing
  • How to avoid falling into some of the scam-traps for authors
  • The best “old-fashioned” ways to promote–the ones I shouldn’t give up on entirely
  • How to write (and publish) an award-worthy book
  • How to promote your book to mobile users and others
  • The pitfalls of using the Web and how to avoid them
  • Unusual methods of getting reviews–even long after your book has been published

Up-to-Date

Today’s technology, social networking and marketing techniques are covered. Updated web resources abound. Advice in sync with today’s Internet are incorporated:

* Blogging tips and pitfalls
* Obtaining reviews and avoiding scams
* Finding places to pitch your book
* Using the eBook explosion to promote sales
* Using Google alerts to full advantage
* Staying on top of current trends in the publishing industry
* Writing quality query, media release letters and scripts for telephone pitches
* Putting together power point and author talk presentations 

This is just a tip of the iceberg too. I highly recommend Carolyn Howard-Johnson’s updated Frugal Book Promoter. (NOTE: Be sure you get the new 2011 edition with the cover above.)

Embracing Changes as a Writer

I admit it. I don’t enjoy changes outside my control.

I can change, and I seem to be adapting to some kind of personal or professional change on a weekly basis. [I’m going to ask you for a favor at the end of this post concerning one such change.]

As Jack Canfield says in The Success Principles, “When change happens, you can either cooperate with it and learn how to benefit from it or you can resist it and eventually get run over by it. It’s your choice.”

Old Dog, New Tricks

He points out that there are cyclical changes (like the seasons) and structural changes (where there is no going back to doing things the way they were before)–neither of which you can control. The last few years have shown structural changes in publishing.

Frankly, I had hoped the changes in publishing were just a cycle–I’d seen recessions in publishing before that “righted” themselves. But with the whole social networking phenomenon–and the ability of writers now to do a lot of marketing online from home–it’s a whole new ballgame.

“Structural changes are the kinds of changes that can sweep you away if you resist them,” says Canfield. “Will you embrace these structural changes and work to improve your life–or will you resist them?”

Another Change

Recently the marketing manager at one of my publishers asked me to set up a Facebook Fan Page to replace my current Facebook page where I have my “friends.” There are different rules and you use different apps on fan pages–and I’m slowing learning the new system.

Before long, I will shut down the “friends” page where many of you connect with me. After that, we will connect on the fan page, where you can still leave comments like before. IF

The Favor

If you do me this one small favor…I’d really appreciate it. Could you go to my Facebook Fan Page called KristiHollBooks and “Like” me? [This truly sounds absurd to me.  I feel like a wallflower at a junior high sock hop asking someone to please ask me to dance.] Anyway…after you click the Fan Page link, you will see a “Like” button at the top of the page. Please click it to add your name to my page of friends. [You will probably have to sign into your Facebook account also.]

Like many changes that I have made (mentally kicking and screaming), this new Facebook change will probably work better for me. It will be a place where I can consolidate news about all my writing and updates from my three websites and two blogs. I think it will simplify and streamline my marketing efforts once it all gets under this one “umbrella.”

Thank you for helping me out–and when you set up your own writing fan pages, let me know. I already like you–but I’ll be glad to make it official!

For Your Holiday Weekend

When you take a break on this hot Fourth of July weekend, try some of these articles. They’ll keep you in a writing frame of mind!

What If You Think You Might Be a Mediocre Fiction Writer? Every novelist hits the point, sooner or later, where they think they just might not actually have any talent. What do you do in that case? Should you just throw in the towel? Or muddle forward? How do you know if you’re any good?

Book Marketing Methods That Don’t Work (from Writer Beware! blog) For any author, whether self-, small press-, or big house-published, getting noticed is one of the primary challenges. Larger publishers provide marketing support for their authors (yes, they really do, despite popular wisdom to the contrary), but with smaller publishers, and if you’ve self-published, you may be mostly or entirely on your own.

The Internet and Procrastination If you have trouble wasting time on the Internet when you want to be writing instead, read this article. Some good tips–as well as information about a program called “Freedom”–just might get you past this modern-day obstruction–and back to writing!

Do Publishers Market Books? Do publishers still market books? Or don’t they? Should you go ahead and self-publish since you’ll just have to do the marketing yourself anyway? Before you go that route, read this article. It’s true! And are you willing and able to do all those things for your book? Pays thinking about. 

Tension on the Page, or Micro-Tension Tension! Tension! Tension! Great books have tension that keep us involved in the story. Micro-tension involves a diverse set of techniques.