Mind the Gap!

goal gap

I love the ringing sound of “Mind the Gap!” when British train doors slide open at a station platform.

“Mind the Gap!” is an audible (or visual) warning. It’s issued to rail passengers to take caution while crossing the space between the train door and the station platform.

“Mind the Gap!”

The phrase was first introduced in 1968 on the London Underground. But when I see my “Mind the Gap” mug on my writing desk, it means something different. I look at where I am in my goal (writing, marketing, or a health challenge) and where I want to be (the dreamed-of finished manuscript, increased social marketing numbers, or a healed lower back).

Then I calculate the distance from Point A to Point B. That’s the gap

Making the Leap

If you fearfully procrastinate stepping off the train (with rolling luggage bumping along behind), you risk getting caught in the closing door or being run over by passengers behind you. Conversely, if you move too fast, without truly calculating the gap, you can guage it wrong and step down into it instead of over it, breaking an ankle. So minding the gap is critical. 

It’s critical with your story too. When a writer procrastinates too long on finishing a story, a similar story can be published by a faster writer overtaking us. But moving fast before assessing how much revision your work-in-progess still needs is risky too. It can result in your manuscript disappearing in an editor’s Inbox or sinking out of sight on the date of publication.

Someone to Stand in the Gap

Years ago, when my four children went back to school in the fall, I also felt energized and motivated. I bought new school supplies for my writing office, then took a good (compassionate) look at my current novel. Where was I? Where did I want to be?

If I can help you get off the writing train and land sure-footed on the station platform, I’d be happy to do it. Check out my critiques page for fall openings, plus a “back to school” price cut for September.

Getting Unstuck after 2020

After losing two family members in the pandemic, I had a month-long severe reaction this spring to my second Covid shot. When I resurfaced, feeling practically comatose, I was behind on one Christmas mystery book deadline and a novel (set in 1850s England.) None of my decades-old “get started” techniques worked, which induced a near panic.

But one day I heard a podcast. (Details are included at the end.) Did you know that we have 60,000-70,000 thoughts per day? Roughly 95% of the thoughts are repetitive and unconscious. Only 5% of our daily thoughts are conscious and new. The negative ones, both conscious and unconscious, keep us stuck.

“Be transformed by the renewal of your mind,” the Bible urges. To do that, we need to first notice the conscious negative thoughts that keep us stuck. (Mine included “I’m too old for this.” “There’s not enough time.” “I’m too tired to even start.”) Then you grab a pencil and paper and ask yourself the following questions.

Unstuck with Five Magical Questions

  1. If I feel overloaded, what would it take for this task to be easy? What would have to change for this situation to be simplified? I asked this when I felt overwhelmed, whether I needed to outline my cozy mystery or put away Christmas decorations. Sometimes the answer was to cut the goal into tiny pieces to make it easy. Or I deleted the task, or delegated it, or postponed it because it wasn’t critical. Sometimes I  rearranged my schedule to eliminate overload. (I felt every bit as overloaded as this sheep!)
  2. What is an improvement I’m willing to make? The smaller, the better, if you want to get moving quickly. Maybe I can’t write for an hour, but I’m willing to write ten minutes. I can’t walk three miles today, but I’m willing to walk around the block. I don’t want to stick to my diet today, but I’m willing to cut this candy bar in half. Small steps lead to larger ones.
  3. What perspective would I need in order to feel different? I use this question when I want to change my fearful, doubtful, or pessimistic mood. My change in perspective often includes a particular Bible verse that speaks to my need. Then I can look at my situation from a better point of view instead of my own limited one.
  4. In this particular situation, where do I need to be a little more patient, and where do I need to push a little harder? I ask the question, sit quietly, and listen. You’ll know if you need to rest more and be patient with healing, or if you actually are loafing and need to push yourself a bit.
  5. What is the difference between a true solution and a distraction? When I’m tired or discouraged, what actually renews my energy, a nap or a pint of ice cream? When I’m behind on a deadline and fighting panic, is watching a British movie a solution, or is it a distraction? The real self-care task isn’t always the most appealing choice. But it will be a true solution.

Questions for Every Season of Your Life

These powerful questions turned out to be so helpful that I taped the list in several places: beside my computer, in my daily planner, and in my prayer journal. They help me every day—not just in my writing, but in my food choices, exercise, home care, and when my grandkids are here.

Questions are a great way to use the 5% of our thoughts we have control over! Bring God into the process. Then the answers you receive will fit your personality, goals, and season in life.

More Help to Get Unstuck

(Taken in part from “Ten Questions that Change Everything” by Primal Potential podcaster, Elizabeth Benton; my post was first published on the National ACFW blog.)

Climbing Out of a Writing Hole

“How does a project get a year behind schedule? One day at a time.” ~~Fred Brooks (IBM computer software developer)

While I’m not behind a whole year on my current writing project, this question has been ricocheting around in my mind lately. I have writing deadlines stacked up for many months, for which I am truly grateful.

But I am sorely behind where I had hoped to be at this point. Some things happened which I could not have foreseen–like happens to everyone. That’s life. There’s probably a lesson there on building more “what if something happens?” time into my schedule.

Right now, I don’t really have the time to do some big analysis of how this happened. I just need to get dug out of this hole and back on schedule. But how?

Faster, More, Hurry!

Our tendency is to look at how behind we have gotten with our writing projections (including you ambitious writers who are doing NaNoWriMo this year) and determine to buckle down and write 10,000 words every day till we are caught up. Then by Day 3 we feel rotten from no sleep or exercise, by Day 6 we are sick, and Day 7 we throw up our hands in despair and take necessary time off.

That has been my usual “catch up” method in the past. And it doesn’t work. It has never worked! And yet that is my inner urge, even as I write this. Stress, stress, stress!

Another Way

But this time I have decided to do it another way. And the minute I made the decision, I noticed my stomach settled down, I stopped hunching over the laptop, and I began breathing deeply again instead of hyperventilating. I will be climbing out of this hole differently.

What will I do? Use my writing GPS system and “recalculate.” Pretend that today is my starting point and I am right on schedule today, then figure out how much I need to do daily to make my deadline. I am relieved to see that it’s not 10,000 words either. It’s not nearly as bad as I was figuring, in fact. That’s often the way it is.

One Day at a Time

The quote at the top of the page shows how we all get behind in our writing projects: one day at a time. But the answer to the problem is also in that quote. We climb out of the hole one day at a time.

And if I concentrate just on the amount I need to do today–and each day after this–then I’ll make the deadline. And I should stay healthy as well. Then I can go out and celebrate when I turn in the book!

The Gift of Time

It isn’t my birthday or Christmas or Mother’s Day, but it feels like it today. Why? Because I’ve decided to give myself a wonderful gift now.

The gift of time.

I’ve been writing and publishing since my kids were babies. They’re in their thirties now, with their own children ranging from toddlers to teenagers. During many of my children’s growing-up years, I was either single parenting or the family relied heavily on my income. Slowing down to study my craft was a dream I put on my yearly goals list, but it was rarely an option. The 50+ hours of work per week needed to generate income: writing books, teaching writing, speaking, writing test questions, and doing private critiques.

Always Running, Faster, FASTER!

Whenever I thought about studying more, reading more, taking more time to grow as a writer (versus making every hour a billable hour), I would promise myself, Later, when things slow down and the cash flow eases up.

Even when that day came where I could cut back, I found that the very idea panicked me. I had drummed into my head for so many years that freelancer warning, “If you don’t work, you don’t eat.” You learn to go without paid sick days or paid vacations–let alone time to study one’s craft.

If Not NOW, When?

For several years, I’ve been having a discussion with a dear writing friend about slowing down and spending time to improve our writing. I took motivational workshops, learned how to “work smarter, not harder,” streamlined my work habits, and multi-tasked until I met myself coming and going. And what did I do with the time freed up by all this smarter working? Took on more projects, learned how to blog, Facebook and Twitter…but rarely studied. Oh, I bought craft books, but the books that got my full attention seemed to focus on time management.

And my friend? Except for having grandchildren, she was as busy as I was. Yet she got her MFA in children’s writing (traveling half-way around the world to do it), and is now working on her Ph.D. While I don’t have the money for either of those things, I could certainly be studying more. And that’s where I decided to apply my gift of time.

Spending Vs. Investing Time

Starting today, I am giving myself the gift of time to study. I think if I do four or five hours of writing (the moneymaking activities) in the morning, then I could surely study for an hour every afternoon. To survive in the changing publishing times, we will all need to become better writers. And if not now, when? (By the way, it isn’t something I feel I should do. It’s something I want to do. I honestly do love to study.)

Maybe you can’t afford to work part-time yet. (I’m not positive that I can either. I’ll find out!) I know that situation is a reality for many of us. But if you can squeeze out even a daily hour to read current books in your field and study a writing craft book, I encourage you to do it. I’ve signed up for a writing course online which takes an hour per day, and I can’t wait to be a student again! It’s my gift to me.

How the Chunky Method Saved My Life

A couple of months ago, after being sick and traveling and meeting two book deadlines, I stalled when given some unwelcome health news which required tests and more tests. I got really, really behind on an adult mystery, and for hours I would struggle to write, only to throw it all out at the end of the day.

I was used to writing in 90-minute or two-hour blocks, taking a break, then doing it all again. I’d used that schedule for years, since I no longer have small children living with me. But sickness and burn-out had taken their toll, and I wouldn’t make my deadline at the rate I was going.

Enter the Chunky Method!

I had signed up to attend a Saturday writing workshop, and I was eager to be around other writers t. The speaker, Allie Pleiter, was to talk about her book, The Chunky Method Handbook: Your Step-By-Step Plan to Write That Book Even When Life Gets in the Way. To be honest, I didn’t expect to learn anything really new. I just wanted to be encouraged.

I got so much more!

In a Nutshell

Based on our personalities, our lifestyles, our season of life (small children, day job, retired empty nester) and our health, we all write in different “chunks.” By Allie’s definition, a chunk of writing is what you can comfortably do in one sitting, stopping when you pass the point of “this writing is good” into “the writing I’m doing now will have to be tossed out because it stinks.” She had a test for determining the length of your natural chunk. Big and little chunks are equally valuable.

Frankly, I was going to skip the test when I got home and move on to the rest of her book. I had to get busy! Anyway, my natural chunk for years had been about 90 minutes, or about 1500 words. I knew that already. But was it anymore? My writing life was certainly no longer working.

Back to the Drawing Board

I decided to do the chunky test. (You’re supposed to do this five days in a row, one chunk per day.) I didn’t have five days to use for this, so I did four chunks spread throughout a day. I was careful to stop when I felt too tired to keep going productively. Big discovery!

My chunk had shrunk!

I wasn’t able to comfortably write 1500 words at a sitting. My four chunks averaged only 500 words, and my sitting was only 45 minutes. At first I was really dismayed. I was too far behind to write the novel in 500-word chunks. Or so I thought.

I had nothing to lose by trying this method of writing my “comfortable chunk,” then resting a good while, then doing another “comfortable chunk,” and so on throughout the day.

Changing It Up

It worked! Before the Chunky Method workshop, my struggles had only produced about 1200 words per day, and sometimes not that much. Using the Chunky Method, I was able to average about 5,000 words per day rough draft, and some days nearly 8,000 words. And with the rest breaks between the chunks, where I walked or just went outside, I wasn’t stiff and sore or even very tired in the evenings. [NOTE: Determining your “chunk” is just the first step in the Chunky Method. I would tell you more, but I don’t want to plagiarize her book.]

Because I was writing so close to the deadline, I followed my own advice and got a paid critique from a writer I know and trust who has written award-winning mysteries. (Thank you, Mary Blount Christian!) After revising according to her excellent critique, I was able to turn in the manuscript on time. (And very little revision was requested by the editor this time too.)

So, in case you’re stuck, or you’re trying to write in the midst of stressful circumstances, I’d encourage you to buy The Chunky Method. It could change your writing life. It sure did mine!

The Completion Stage

The past two weeks, I’ve talked about the stages we go through in our writing projects, including the challenges at each stage and ways to keep from derailing. After we have prepared the work-in-progress, let it germinate, worked on it, then deepened and shaped it, we are ready to complete the work.

“There is a completion stage,” Louise de Salvo says in Writing as a Way of Healing, “during which we again revise, revisit, rethink, and refashion. .. Often the drive to finish a work takes precedence over other needs and obligations—like being social or taking showers or eating well.” She said her sons used to call this her “demented stage” because she was so completely involved in her work.

Derail or Finish? That Is the Question

During the completion stage, you can derail your process several ways:

  • If you work needlessly, refusing to let go of your writing project and send it out into the world, your book can fail to be published out of fear. (The “world” can mean your critique partner, your agent, or an editor.) You know in your gut that you’ve made the book as good as you’re able at this point in your learning curve, and that continuing to work on the book is probably not helping it much. In fact, if you keep tinkering needlessly, you can do more harm than good.
  • If you lose interest in your work at this point, you may sadly end up putting the manuscript on a shelf in your closet “to work on later,” only later never comes. Instead of this solution, you must find ways to rekindle your original enthusiasm for your book. If you kept a work journal for this project, go back and read your original notes and hopes for this book.
  • If you become careless during this stage, you might not do the necessary polishing or changing that deep revisions call for. You might settle for a good manuscript or story, but not rise to the excellence you’re capable of at this point in your career. If you find yourself reading through your manuscript and being jolted by certain paragraphs or sentences—yet go on by, hoping no one else will notice the jerky rhythm or unclear sentence—then you’re becoming careless. This can derail your project.

It makes no sense to spend weeks, months, or years writing and then, when finishing, to produce a slovenly, careless effort. During the completion stage, you must fine tune what is there. You must pay attention to detail at this stage. It can be a “slow, meticulous, often plodding process,” says Ms. de Salvo. Yet it is necessary. “Finishing strong is something great athletes learn… Finishing strong is something writers also must learn.”

The Deepening and Shaping Stages

In this series we’re discussing the seven specific stages you go through from beginning to end with a writing project. There is potential for both growth and failure at each stage.

(First read about the preparation stage, the germination stage, and the working stage.)

Deepening and Shaping

At the beginning of the deepening stage, you’ve already completed a rough draft. You may also have done some fixing on your draft, especially if you zipped through the rough draft at lightning speed, just getting it down as fast as you can. You may need to go back, fill in missing parts, rearrange some things.

If you’re a writer who writes a bit, then revises that bit before going on, your first finished draft was actually revised as you went along. Either way, it’s time to get down to some deeper work now. The deepening stage is more challenging, but very satisfying!

According to Louise de Salvo in Writing as a Way of Healing, in this deepening stage “we revisit, rethink, re-imagine, and revise what we’ve been doing. Often during this stage we learn what our project is really about, even if we’ve been working on it for years.” There is also a shaping stage, according this author, “during which we find the work’s order and form.”

Be Aware: Potential for Growth…and Failure

This is hard work, and these stages require a lot of deep thinking. During these stages, I tend to read books about deepening characters, or books on emotional structure and character arcs. I might study books on voice as I rethink various characters and how they’re coming across. There is potential for much growth during this period.

The dangers during the deepening and shaping stages have to do with maintaining our interest in the writing project. By now, we may be tired of the story, even sick of it, and the thought of going through the novel one or two or more times makes us want to run screaming into the woods.

If your enthusiasm diminishes, you must find ways to reignite it instead of abandoning the work. Read about the writing processes of other writers. You’ll see that you’re not alone by any means with the struggles of this stage. And give yourself credit–even celebrate–each new mini-completion you accomplish. It doesn’t feel like we’re making progress–we aren’t adding new pages now. However, each time you go through the manuscript and shape a bit here, cut a bit there, deepen that character’s motivation, enhance the outdoor scenery, or whatever you feel needs to be done–you are making progress. It is getting closer to the vision you had way back when you started the novel.

It’s a bit like the transition stage of having a baby–you’re sick of the whole process and would like to quit and go home–but you’re so close to holding the baby. Remember that with your book too. The deepening and shaping stages are bringing you ever closer to holding that finished book in your hands.

The Working Stage

(Last week we started talking about the seven specific stages you go through from beginning to end with a writing project, and the potential for both growth and failure at each stage. First read about the preparation stage, then the germination stage.)

The Work-Out

Next we have the working stage, the one we’re probably most familiar with. During this phase we begin our rough draft, build on it, flesh it out, develop our plots and characters, and often fly by the seat of our pants to cross the finish line.

Sometimes we see our way clear through this phrase, especially if we are voracious outliners. If you hate outlines, this working stage may be more nebulous as you discover your story. You may get lost and have to start over a few times. But eventually you’ll have a rough draft, a completed draft with a beginning, middle, climax and end.

You might get the draft critiqued at this point, or you might revise your draft first, smoothing out rough spots, fleshing out the cardboard characters, and building the tension at the climax scene. The working stage is a longer stage, an exciting stage.

Danger! Danger! Warning! Warning!

What are the dangers during the working stage, the attitudes and behaviors that can derail our writing projects? There are many! Depending on your personality and favored way of working, you may do some of the following:

  • You may slavishly follow your outline instead of your instincts and creative impulses that encourage you to take detours.
  • You may derail during the working stage if you work zealously and with high anxiety. Working at a fever pitch, without taking time for relaxation, will cause burn-out and writer’s block just from exhaustion.
  • If you don’t learn to push through the confusion of this stage, you may abandon your project. All rough drafts and early revisions are confusing as you figure out what you’re really trying to say, where to put certain scenes and information, and what to do with the new characters and incidents that seem to spring full-blown from your unconscious mind.
  • If you are writing your rough draft with your Editorial Mind in gear, you will eventually give up. Editorial Mind is critical, which is an important trait later, but judging your work during your rough draft working stage can be lethal.
  • If you spend time thinking about the finished product (selling, publishing) when you’re trying to write, you won’t enjoy the process, and you’ll be very critical of everything you write. Instead, focus on enjoying the writing process and leave the “product” work until the last stage (the going-public stage).

“Sometimes,” author Louise de Salvo says in Writing as a Way of Healing, “writers mistakenly assume the work is finished when the working stage is over. But for us to do our finest, most authentic work, we must proceed further.”

We’ll discuss those deepening and shaping stages next.

Germination Phase

[Read about the first phase here: preparing to write.]

The second stage, called the germination stage by Louise De Salvo Ph.D. in Writing as a Way of Healing, is a time “during which we gather and work on fragments of ideas, images, phrases, scenes, moments, lines, possibilities for plots, characters, settings. Sometimes we don’t quite know what we’re doing or where all this is leading. Sometimes we feel like we’re working haphazardly. Sometimes, though, we have a clearer conception.”

Know Your Own Personality

During the germination stage, my Type A personality wants to organize, and yet so much of what occurs to us during this time isn’t “organizable” yet. I used to follow advice I’d read to write down ideas on scraps of paper and stick them in a folder, but I soon found that my own personality hated that. I would open the file folder, see all those scribbled scraps on paper napkins and file cards and the backs of receipts—and it looked like chaos.

Chaos of any kind has never been conducive to writing for me. And yet, if you push yourself to organize during the germination phase, you are almost sure to derail any creative impulses trying to emerge.

Tips for a Successful Germination Phase

So is there a solution to getting through this phase and gleaning from it everything you need to start working on your novel or project? I suspect this is an individual matter, but for me, this is what works to keep me from derailing during this phrase:

1. Follow your urges to read. They will come at such odd moments. You’ll be sorting through junk mail or paying bills, and suddenly you see a flyer on how to save on your water bill. Although ninety-nine percent of the time you pitch this junk unread, today you feel the nudge to read it. Pay attention to your urges to read. I have thus found careers for certain characters, plot twists and whole subplots, and clues for mysteries. The germination stage is a wonderful time to browse in museums, art galleries, antique shops, flea markets, and other places where you can let your mind and eyes roam. Watch what snags your attention and make note of it.

2. If you feel you must organize (like I do), get a three-ring notebook and those colored divider tabs. (This method has served me well through forty-seven books.) Make sections for book and chapter titles, character, plot ideas, setting, dialogue, and whatever else you’re collecting. Continue to write things on scraps of paper as they come to you, but after you have several scraps, sit down with your notebook and add the information behind the correct colored tab. (Scotch taping the scrap to a page is quick and easy.) Is it a snippet of dialogue you overheard on the bus that is just perfect? Transfer it to the dialogue section. Did you find an odd fact about 1940s mail carriers? Put it in the character section. Is it a bizarre thing that someone did that you saw in the newspaper? Add it to the plot section. None of this is written down in any order, but as your sections fatten with ideas, your mind will (quite unconsciously) start to sort it out and make connections. In a later stage, when you go through the various sections of notes, you’ll be amazed at the ideas that will have begun to gel. (That’s in the working stage, which we’ll talk about next.)

The germination stage can be such an exciting, fun time, but it comes with some frustrations. Look at the purpose of this stage, then balance it against your own personality and way of working. After some time–and it’s different for every person and every project–you’ll be ready to move on to the next stage.

[By the way, I’m skimming the surface of the material in De Salvo’s book. If this rings true for you, I’d encourage you to get her book.]

For Writers Needing Some Fun, Try the Unschedule

I have a tight deadline, and I’m tired of working.

I could also use some fun in my life.

Can I have both? Yes!

Back to What Works!

Last year I tried the “Unschedule,” a technique for breaking through procrastination found in The Now Habit, a book by Neil Fiore. According to my notes in the book, the four days that I used Fiore’s “unschedule” turned out to be some of the most productive I’d had in a while. The one day I disregarded it (thinking I really don’t have time for these breaks–too much to do) I actually got less work accomplished!

This coming week is very full with writing deadlines and family events. Yet I feel so antsy. I want to do almost anything but sit here and write. But if I simply procrastinate, I’ll get precious little done and not even enjoy the time  off.

So…I filled out my Unschedule this morning before starting this blog.

What in heaven’s name is an Unschedule?

Hooked on Play

A clue is on the cover of the book. The full title of Fiore’s book includes the subtitle: A Strategic Program for Overcoming Procrastination and Enjoying Guilt-Free Play. An unschedule is a way that incorporates play and leisure FIRST in your schedule. Yes, you actually put FUN on your schedule before your chores are listed. Each immediate and frequent reward follows a short (30-minute) period of work. (This is instead of delaying a reward until the whole project is done.)

For example, I have six scenes to outline today. Always in the past, I did the six scenes (about 4-6 hours) non-stop, then crashed with a bad neck ache and headache. Today I’ve scheduled it one scene at a time with rewards scheduled after each scene. I also have a phone call with a friend this afternoon on the schedule.

Why Fun First?

Fiore’s book is about overcoming–even preventing–procrastination.

“By starting with the scheduling of recreation, leisure, and quality time with friends,” Fiore says, “the Unschedule avoids one of the traps of typical programs for overcoming procrastination that begin with the scheduling of work–thereby generating an immediate image of a life devoid of fun and freedom. Instead, the Unschedule reverses this process, beginning with an image of play and guarantee of your leisure time.”

By the way, before scheduling the fun times, block out the chunks already committed elsewhere–taking kids to summer swimming lessons, a class you teach, dental appointments, lunch, commuting places, etc. It will encourage you to get started a bit quicker when you see how much free time you ACTUALLY have for your writing.

Tiny Work Loads

The other recommendation for the Unschedule is to keep work periods to thirty minutes. Thirty UNinterrupted minutes. Thirty minutes of work–use a timer to be sure–and it can’t include anything like checking email on a whim, or returning a phone call, or other distractions we procrastinators are famous for.

After your thirty minutes is up, you record the actual work done on your daily schedule somewhere, and then freely enjoy your reward. Believe it or not, those half hours add up by the end of the day. Fiore says, “Thirty minutes reduces work to small, manageable, rewardable chunks that lessen the likelihood that you will feel over-whelmed by the complexity and length of large or menacing projects.” And thirty minutes of concentrated work can mean a lot of pages piling up.

Time for me to go! I’m twenty-eight minutes into this blog, and I hoped to finish in thirty instead of my usual plodding hour-long pace. Guess what comes next? I plan to read a chapter in a new mystery set in England, my favorite kind of fun reading.