With only a month before the new year, writing goals are on my mind. Yesterday I reviewed my 2012 list of goals to see if I’d accomplished what I set out to do last year.

I’d finished a few projects on my list–like revisions of books sold the year before and some marketing things.

Still…my “first loves”–the three unfinished novels–hadn’t progressed much at all.

Why Not?

What were my downfalls? I could identify two big ones that plagued me probably four days out of five: (1) most days I didn’t do my novel writing first, and (2) I spent way too much time on the Internet.

First, what pre-empted my novel writing? A variety of things: email, blogging, paid critiques, dishes, studying, babysitting sweet grandkids, work-for-hire writing, and exercising.

Second, how did I use up my precious writing time on the Internet? In a variety of ways: junk email, reading newsletters and blogs, checking weather, studying vacation sites in England, reading Facebook posts, checking my bank balances, paying bills, reading too many horror stories on CNN, and tweaking my website.

Every one of those things was a not-very-cleverly-disguised way of not working on my novels.

Different Writing Goals in 2013

So…I’m thinking seriously of trying something new for my 2013 goal setting. I will make a short list of fiction book projects I want to finish. And then I will give myself only two “must do” things for each day in 2013: (1) work on my current novel first, and (2) stay off the Internet till noon.

If I can do these two things consistently, I suspect it will make a huge impact on accomplishing next year’s writing goals.

I think I will start NOW and do it for the remainder of 2012 and see how it impacts

• my writing output
• my enjoyment of writing
• and my overall emotional satisfaction with life.

I’m guessing that the impact will be huge.

How about you? What do you see as your biggest stumbling blocks to actually getting the writing done?

I didn’t think the world needed one more writing book—but I was wrong. The book that changed my mind is Writing Irresistible Kidlit by Mary Kole.

This book answers so many of our questions about:

• the current writing market (and all the changes)
• what sells best and why
• how to target today’s major traditional book markets
• getting inside the minds of middle-grade and YA readers
• crafting characters and plots that grip a reader
• and what makes a winning query or proposal for an agent or editor.

[NOTE: The book is an in-depth treatment of middle-grade and young adult fiction. It does not cover fiction for kids under age 8 or nonfiction. This is not just a “beginner’s book.” While the book is understandable for someone just starting out, it is challenging enough for a more experienced writer, and especially helpful to anyone wanting to bring their novel up several levels so it can compete much better in the current marketplace.]

Why should you listen to Mary Kole? Well, she has worked at Chronicle Books, the Andrea Brown Literary Agency, and now spends her days as a Senior Literary Manager at Movable Type. She holds her MFA in creative writing from the Universityof San Francisco. Mary blogs at Kidlit.com, named one of the “101 Best Websites for Writers” by Writer’s Digest Magazine for three years running. The book is a bit like having the opportunity to sit down with an agent for a heart to heart about why some books sell and some don’t.

Mary Kole’s encouragement to slow down and really focus on the writing, the theme, and the passion in your story is very welcome. In Mary’s own words:

“That’s why I’m so excited to share this book with you. It’s about craft, first and foremost, and, I hope, it forces you to focus on what’s really important. The publishing game will always be there when you’re ready, and when you finally hit upon that amazing idea and execute it with finesse, you will have a much easier time landing an agent and progressing to a book deal.”

One big change Kole talks about is the current “blockbuster mentality” (that came about after the mega hits of Harry Potter, Twilight, and Hunger Games) and why novels need to be so well crafted in order to sell today:

“The blockbuster mentality that is rampant in Hollywood and in adult and nonfiction publishing has finally come to the kidlit market. We now know that children’s books can make money, so we (agents, editors, and the finance guys upstairs who are signing off on book offers) expect them to.”

Many students have told me they love middle-grade writing, but have no interest in writing about vampires or wizards. Mary’s thoughts:

“If you want to avoid genre, though, there’s still definitely room for stories that deal with the real world of school, friends, romance, and family. In fact, some editors and agents are clamoring for strong contemporary stories where nobody has any magic powers and nothing falls out of the sky or crawls out of the ground. They (and readers) want real life, because that’s fascinating, too.”

The same holds true for YA writers who don’t want to write books with edgy violence and sex scenes. Mary’s advice is:

“Before you start writing smut and gore, though, here’s a very important point to remember: You don’t have to be edgy to write YA. In fact, that’s a huge trap that most aspiring writers of YA fall into. They try on a snarky voice, shoehorn in a paranormal element, and put their character in dangerous situations—all because they think that’s what’s selling right now. But all it does is come off as forced.”

Editors and agents are looking for “high concept” novels today. Here are some clues to what that means—and ways to get your novel this designation. Mary says:

“There are certain things that seem to get the high-concept designation more than others. Basically, it’s anything Hollywood might like: twists; surprise endings; secrets; betrayals in friendship; family ties; romantic relationships; big events like birth, death, and transformation; life-threatening danger; glamour; fantasy and superpower elements, hidden identities; big crime; conspiracy; love triangles—anything that’s larger than life.”

Writing Irresistible Kidlit has sections called “From the Shelves” throughout the book that highlight examples from current published books. A full list of these books is at the end under “Novels Cited,” and I intend to print off the list and start reading. That will be an education all by itself!

I read this book as a PDF sample review copy. Even though I highlighted throughout, I’m going to buy a hard copy. If you can’t buy it right now, put it on your Christmas list. (Or earmark one of those Amazon gift cards you’ll receive from someone this year.) It will make a great Christmas present to yourself! I recommend this new writing book very highly.

Fellow writers, we’re all in this together. And we all need encouragement from time to time.

Even if you’re not participating in National Novel Writing Month (NaNoWriMo), I thought you might enjoy snippets of the pep talks that are emailed to writers to help them keep going.

Be Encouraged!

A Pep Talk from Kate DiCamillo was about a guy at her day job who ridiculed her early writing efforts, but she fought back–by writing. (I really identified with her, having written to prove I could to everyone who told me to get a “real job.”) Her letter included:

It is a truly excellent to have someone to believe in you and your ability to write.

But I think it is just as helpful to have people who don’t believe in you, people who mock you, people who doubt you, people who enrage you. Fortunately, there is never a shortage of this type of person in the world.

So as you enter this month of writing, write for yourself. Write for the story. And write, also, for all of the people who doubt you. Write for all of those people who are not brave enough to try to do this grand and wondrous thing themselves. Let them motivate you.

The following is part of a Pep Talk from Lindsey, who ran into an emergency situation at the beginning of the month and was tempted to quit. It applies to any writer who has run into a life situation that has derailed them.

For those of you who have contemplated abandoning your novel—or already have—I invite you to sit down, look at your novel-in-progress, and envision a November without the rest of the story you’ve started. Imagine your laundry is folded, your pillow creased from adequate use, dinner is cooked, socks are matching, your shoes are shined… but no novel.

Here’s part of a message from Lani Diane Rich on “Having a Dream vs. Realizing a Dream”–and it might encourage you to try NaNoWriMo next year!

National Novel Writing Month changed my life. Because of NaNoWriMo, I became the first previously unpublished writer to get a book deal with a major New York publisher. Because of NaNoWriMo, I started taking myself seriously as a writer, and now I get to live my passion. I write, I teach writing, and I talk about writing—that’s my day job. But I honestly don’t know if I’d be where I am now if not for NaNoWriMo.

Do you have a really mean internal editor and critic? Then you’ll like what Karen Russell had to say about that…

Perhaps you, too, have a coach of the interior like mine—bald and cruel, shaking his sweaty pate at your sloth, ridiculing your sentences, professionally contemptuous. Extremely foul-mouthed. A definite misogynist. A voice that reads over your shoulder and snorts with derision at your characters’ dialogue. A voice in cahoots with every other voice that has ever criticized your efforts and ambitions and haircut. He pretends to be all kinds of things: the Voice of Reason, the Voice of Tough Love. But he is a tyrant. He is the enemy of fiction writing. His “pep talks” are actually spells of paralysis, designed to rob you of all confidence and happiness. In order to write your novel, you must get rid of this sadist. Do whatever it takes to shut him up. Chloroform him; drag him by his white Reebox behind the dugout; bury his shrill, censorious whistle. Then return to your green, blank, mercifully silent playing field, and write.

Time to Write!

Try to remember, when you hit periods of distress and discouragement with your writing, that it’s only part of being a working writer. Take the advice above and push on. You’ll be glad that you did!

In less than two months, it will be 2013. Now is the time to set some goals for the new year.

First, take an honest look at what you’ve accomplished in 2012, both in your writing skills and your writing business (marketing).

With that answer in front of you (in writing), answer this: how will you get from where you are to where you want to be?

Get It In Writing

In “writing life” workshops, I’ve used an exercise to help you get to where you want to be. I recommend buying a spiral notebook for these exercises. You want a place to keep your notes and ideas about your goals.

Allow yourself two or three hours to work on these three exercises. Do them alone, or with your writing group. I work on something similar every December as I think ahead to the coming year.

1) Honestly assess where you are in your writing and illustrating career. Consider and answer these questions in writing.

• How many hours per week do you actually practice your craft? (Use a timer.)
• How many books/stories/articles do you read in an average month (of the type you want to write)?
• How many queries per month do you send out, if you’re a nonfiction writer?
• Do you have a daily writing practice of some kind, such as journaling or writing exercises from a list of prompts?

2) Visualize (and write down in great detail) your ideal writing life. Describe a perfect writing routine, the physical writing environment of your dreams, your image of wonderful family support, etc. We all have an ideal image in our minds of the perfect writing life. Write it down. (Mine involves such things as porch swings, hot chocolate, journaling, and reading Jane Austen on breaks.)

3) List three things you would attempt to write if you knew you could not fail. Image yourself in your ideal writing life. There are no risks here, no rejections, no bad reviews or bad writing days. If you knew everything you’d write would sell, what kind of writing would bring you satisfaction and fulfillment? Dream bigger than you’ve ever allowed yourself to dream before.

An old adage says “plan your work, and work your plan.” That’s especially appropriate for goal-setting. Don’t wait until New Year’s Day to get goals. Plan for success in 2013 NOW.

[P.S. If this post sounded familiar, it is. I’ve got some kind of bug, so this is a repeat from two years ago. It’s still good advice for this time of year! I follow this plan yearly, and each year my writing life is getting closer to my dream described in Step 2. It works!]

Writers all need encouragement sometimes. These articles should give your weekend a boost.

I know you’ve heard it before, but it’s probably time to be reminded: “3 P’s for Writers: Perseverance, Persistence, and Patience.” You’re not alone with things going wrong, enduring delays that aren’t your fault, and other discouraging circumstances. But the writing prize ONLY goes to those who hang tough!

Were you sure at some point that you were called to be a writer? Do you struggle some days to maintain that belief? Then you’ll enjoy “Called to Write.”   

Although this article is entitled “Five Reasons Why You May Never Get Published,” this agent’s advice shows you things that you DO have control over.

How does a writer cope with the often inevitable, painful jagged edges of her broken dreams and failed hopes?

If you’ve ever asked yourself that question, take heart. I found one answer this week in a long (and particularly good) article.

The Seven Stages of Publishing Grief (or Hello Darkness, My Old Friend)  by Robin LaFevers takes writers into, through (and back out of) the special grief process that all writers experience (usually more than once.) The stages rang true to me. See if they do for you.

The author cautions you not to get stuck in the first four stages–good advice–but to keep moving on through to the happier ending.

You might want to print out this article for future reference. While the writing life isn’t all broken dreams and failed hopes, it does contain a fair amount of it. Learning how to grieve it–then move on to productive work again–is a vital writing skill.

Writing students, those I critique, and people in my writing workshops will sometimes question whether it is ethical to encourage fledgling writers.

Why?

Because the path to publication isn’t easy, and they will experience a lot of rejection along the way, and the “odds” are stacked against them. That’s all true.

So why encourage new writers to persevere?

I do it because they all honestly have a chance. Of course, some students turn out to be sprinters only. They write a bit, give it their all, get tired, and quit. Some, though, turn out to be marathon runners, in it for the long haul. They experience the pain of rejection and the exhaustion of the uphill climb as well–but they don’t quit. That is often the deciding factor.

Separating the Men from the Boys

Can writing teachers and workshop leaders predict who will eventually cross the finish line? I used to think so, but experience has taught me otherwise.

I am saddened by the talented writers who quit easily. I am even more often encouraged by the medium-talented writers who hang in there and get published. And even though students ask, I can’t predict, based on someone’s early writing, if they have that necessary stick-to-it-iveness to succeed in the writing life. Mostly it’s a character issue–not a talent issue.

False Encouragement?

As Ralph Keys says in The Writer’s Book of Hope: Getting from Frustration to Publication, I try to encourage all new writers, but that is not the same as praising mediocre work.

Those of you who have been my students or have paid for a critique know that I critique thoroughly. But you can give tough critiques–showing ways to improve the work–without being discouraging. You give “honest reassurance,” says John Gardner in On Becoming a Novelist.

The Biggest Writer Hurdle

The major difference I see between those who quit and those who are persistent is their “acceptance of rejection.” That may sound like a contradiction of terms, but it’s critical to your survival as a writer.

Accept the fact that you’ll get rejected. Often. All during your writing career. I’ve sold 42 books at this point, but I still get rejections. Rejected proposals, rejected books, rejections from people I’ve sold to before. It happens to all published writers. It’s part of the writing life AND IT’S NOT PERSONAL.

In Unstoppable Women: Achieve Any Breakthrough Goal in 30 Days, Cynthia Kersey talks about this rejection. (And it doesn’t just happen to writers.) She says, “Rejection comes with the territory when we’re selling anything, whether it’s a project, a product, an idea, or ourselves. Everyone isn’t going to ‘get it’ or be interested in what we’re offering. So what! When we accept that ‘no’ is a natural part of the process, we can easily move past each rejection until someone does say yes.”

Your Decision

Marathoner or sprinter–which one are you? Do your writing habits support your choice? If not, what changes do you need to make in your training in order to carry your writing over the finish line?

Make a list–and make one tiny change today.