Stage Four: Survival and Growth

Okay, you prepared (Stage One). You explored your options (Stage Two). You got started (Stage Three). Now you’re ready for Stage Four of “The Five Stages of Success”, where you survive and thrive.

Start-Up Speeds

You might have had a very fast start. That would be the writer who published the first thing he submitted, or his first novel was a Newbery Honor Book. These overnight successes are at the extreme end of the bell curve.

The other extreme end of the “survival and growth” stage is where you find the most dedicated, determined writers. They sell articles about “how I made my first sale on my 239th submission” or they sell a book they’ve been working on diligently for twenty years.

Average Writers

Most of us fall somewhere in the middle. This stage is the most challenging, partly because it’s usually the longest. There is a lot to learn about the writing business, and improving one’s writing craft simply takes time. If you know that and truly understand it, you will enjoy this stage of your success so much more.

It shouldn’t be rushed through. Try to resist society’s “instant gratification” message when it comes to your writing. More and more, I’m receiving emails from new writers saying, “I haven’t had a response in two months from a publisher. I shouldn’t have to wait to be published!” And I think, Why not?

Writers for centuries have had to wait and practice and revise before being published. And thank goodness they did! Even writers like Jane Austen didn’t write early drafts that were very good. So don’t get in a rush. All you will accomplish by that attitude is getting material self-published that is way less than your best is going to be. Nearly everyone I hear from who did this regrets it later.

Growth is Fun

So where’s the success in this stage if it takes such a long time?

I believe there are dozens and dozens of mini-successes spread throughout this stage. They include things like:

  • finishing your first book
  • attending a conference
  • making a new writing friend
  • small sales and large sales–celebrate each one!
  • being asked to speak to kids or librarians
  • the years your income taxes reflect “black” instead of “red”
  • good reviews
  • book signings (whether you sell many books or not)
  • autographing books for your friends and family
  • and so many more!

During this “surviving and growing” stage it’s easy to get fixated on all the things you can’t do yet. Don’t forget to notice–and celebrate–that you ARE making it! You are growing. You are getting there, step by step.

One Regret

If I could do one thing over in my writing life and make one change, this would be it: Celebrate everything!

Pat yourself on the back if no one else does. Reward yourself for each little success. We certainly go on and on about our rejections. Let’s go on and on about the successful steps we make!

Stage Three: Start-Up

If you’ve done the previous stages of exploration and preparation in “The Five Stages of Success,” then you’re probably eager to begin “Stage Three: Start-Up.”

Time to get the show on the road!

You have your writing dream, you’ve made the decision, and you’ve taken some steps to turn that dream into reality. I found “starting up” to be both the most exciting and the most frightening stage.

Deal With the Fears

Why should this stage–which is full of so much anticipation–be scary? Some of it has to do with money and security. By the time I hit this stage, we had another child and a need for more income. Writing for magazines wasn’t going to cut it–I wasn’t bringing in enough money.

I could go back to teaching elementary school–that had been the plan when the babies started arriving. There was pressure to do so–to “get a real job.” And some of that pressure was from me. It’s so much easier to rely on a steady paycheck than face freelance unknowns.

Leap of Faith

If money is an issue in your family, there is a mental mind shift you will need to make. As an employee, you receive a predictable paycheck from a company. If you want to be a freelance writer, you need to create your income. No money arrives on Friday just because you showed up at your desk and put in the time working. You have to create the opportunities to work, do the work, and sell the work to the publisher. This reality can be daunting.

On the other hand, as a freelance writer every day brings the possibility of new ideas, new choices, and earning potential beyond what you are probably imagining. I know that in later years I used to be in awe that I got paid well to do something I loved to do anyway (stay home and make up stories). It wouldn’t have happened if I’d gone back to teaching public school–not with raising kids and dealing with the health issues I had. Creativity takes some solitude and considerable energy–and there wouldn’t have been enough.

Biting the Bullet

Yes, when you start out, you feel like a newbie, the new kid on the block, wet behind the ears–all those cliches. And you may be living on a shoestring for a while. This is probably where your desire truly gets put to the test: how badly do you really want this writing life?

If you still want it, get on a writing schedule. Arrange what you can for an office. Get what equipment you can afford, and stock up on supplies. And take time to celebrate each successful step you take!

If you want the life of a writer, it’s time to get started. [And come back Friday for “Stage Four: Survival and Growth.”‘]

Stage Two: Preparation

In the “Five Stages of Success,” once you know where you’re headed (“Stage One: Exploration”), then you’re ready for “Stage Two: Preparation.”

Getting Ready for the Journey

This stage comes with a warning. Many people try to either bypass this stage altogether or rush through it. It’s understandable. We’re excited about our goals, and we just want to get on with it! And that’s what most people do: jump in with both feet with little thought about preparation.

Research shows that if you skip this phase, more than likely you’ll hit a brick wall somewhere and be forced to fall  back and regroup. At that point, you’ll realize you got ahead of yourself and need more preparation. It’s easier–and less discouraging–if you take time to do the prep work first.

What Kind of Preparation?

Getting ready for a successful writing career can require preparation in several areas: improved grammar skills, learning about the publishing industry, learning marketing basics, or (like me) taking a writing course that covered it all.

Another kind of preparation may be financial. Unless you’re independently wealthy or your family doesn’t require your income, you may need to prepare financially for the writing career you want. It may mean clearing up debt–the last thing you need as a freelance writer is credit card payments. Or your financial preparation may be saving enough money to quit your day job. (There are many books available on this topic if you need specific help there.)

Take Your Time

Try not to get so frustrated during the preparation stage of success that you skip it or rush it. Take all the time you need to prepare so that you don’t have to do a lot of backtracking later.

By the way, the amount of preparation time you need will be individual to you. I took a writing course, read lots of books and magazines, studied market guides, and (over the years) bought and studied dozens of writing books. I have a writing friend, though, who grew up with a mother who taught children’s literature at the university level. My friend started writing without any formal preparation at all, and to this day she’s never read a how-to writing book (and she has seven critically acclaimed books to her credit).

The moral? Only you know how much preparation you need. And you may not know until you spread your writing wings a bit and try to get published. You might find a few gaps in your knowledge and need to go back and fill those in. That’s fine–nearly all of us have to do that. You can successfully fill in those gaps.

Success Along the Way

Remember to celebrate each step you complete along the way. Celebrate finishing that class. Celebrate finishing that book you chose to study. Celebrate attending your first writing conference.

And ENJOY the preparation phase. Feel the excitement and anticipation, and let it carry you along to “Stage Three: Start-Up” on Wednesday.

Stage One: Exploration

If success is a journey, where are you along this continuum? As we go through the five stages of success–and learn to celebrate each stage–you’ll see each milestone for what it is: a huge victory.

Getting Started

As I mentioned in “The Five Stages of Success,” my first step along the way was taking the correspondence writing class from the Institute while my three kids were infants and toddlers. Choosing to throw myself into this endeavor was a successful leap of faith for me. (And my husband, as it took exactly half our food budget to pay for it!) But all success has a price, even if it entails making your own bread and homemade yogurt for a year.

If I knew I wanted to write, where did the exploration come in? In two phases actually.

Taking Chances

In Phase One, I hadn’t known I wanted to write. I had tried four other home-based businesses before the writing course. Through those experiences, I found out I did NOT like selling vitamins or make-up, stuffing envelopes, or day care. I was successful in weeding out those careers. Until I took the writing course, I had no idea how much I would love it–a love that has lasted thirty years so far.

Phase Two of the exploration phase dealt with deciding what exactly I wanted to write. I had no idea, and the process of deciding can’t be forced or hurried. You have to take time to explore and mentally try on and investigate the many writing possibilities open to you. And when you hit your niche, you’ll know it.

Analyzing Your Explorations

I sold fiction and nonfiction to magazines, experimenting with shorter material. For two years I wrote for ages preschool through adults. The easiest to sell was middle-grade and adult nonfiction–and that was a consideration. But my highest satisfaction came from writing middle-grade fiction. [That’s where I settled, and (for the most part), that’s what I wrote in the coming years–but that’s a different stage.]

The “Exploration Stage” of success can be such a fun time! I found it exciting. If you want more guidance or direction for this phase, you might try Finding Your Perfect Work by Paul and Sarah Edwards or Callings: Finding and Following an Authentic Life by Gregg Levoy.

Stay tuned for “Stage Two: Preparation” on Monday!

Today's Slush Pile

The slush pile of old, where my first book was discovered, was an actual tall stack of unsolicited manuscripts. They were read by lower level publishing staff called “first readers.” We thought at the time that the slush pile was huge–hundreds of manuscripts piled up.

Today slush piles have gone electronic–and backed-up inboxes may hold many, many more manuscripts than that. Why the big change?

What Happened?

Several things led to the demise of the traditional slush pile, says children’s author Chris Eboch in “The Modern Slush Pile” (Writer’s Guide to 2011). [With permission, much of this post is adapted from her article.]

Before computers, printers and copy machines, you typed every copy individually. It took forever–and writers then were much more careful about targeting appropriate markets. But now, with the push of a button, technology allows massive multiple submissions, and authors often target publishers using a scatter gun approach. Result? Overload at publishing houses.

“First readers” are gone too. Staff cutbacks took care of them. There’s no one there anymore to open the slush, enter the title and author and date into a book, and later read the manuscript and return it (with the appropriate letter) or pass it along to an editor.wg

Where’s the Slush Now?

Slush–those manuscripts waiting hopefully for someone to read them–have shifted locations.

  • Agents have much of the slush in their inboxes now. Many of the new agents are displaced editors who were victims of cutbacks, and new writers are sending much of the unsolicited material to these new agents.
  • Editorial consulting companies receive some of the slush too, but they charge for their services (while reputable agents don’t.) Just be sure to check the credentials of those who are offering their “expert” advice. One company (Stephen Roxburgh’s namelos) is highly respected. Other companies, however, promise way more than they can deliver, and their “expert” advice may be from someone who has never published or has little editorial experience.
  • HarperCollins has a “virtual slush pile” at Authonomy.com where authors upload manuscripts, readers read them (for free) and vote on them, and then editors read the top rated manuscripts. A few do get published.

Getting Out

Thirty years ago, you had to wait your turn for a first reader to get to your manuscript. It would happen eventually–in about three months. Now, because of the higher volume of submissions everywhere, it helps if you get noticed in order to get your manuscript read.

How do you do that? Chris Eboch had these suggestions:

  • Submit queries with a personal note of some kind (like maybe you read an article by the agent or read some books they represented).
  • Attend conferences and workshops to meet editors and agents, and get permission that way to submit to otherwise “closed” houses.
  • Membership in professional organizations like the Society of Children’s Book Writer’s and Illustrators (SCBWI)
  • Volunteer at conferences–you may drive the agent or editor around or get to eat lunch with them, giving you a chance to get to know them. Your query will mention that connection and get a closer look.
  • Network with other writers (or, in other words, make friends with writers.) After you make some sales, such friends often recommend each other for projects. I’ve done it for books I didn’t have time to write, and I’ve received work several times because a writer friend recommended me for a series project.
  • Social networking helps, as long as you have time to actually participate in groups, list servs, discussion boards, and forms.
  • Some contests have a prize which includes a contract and publication.
  • A master’s program in fine arts can open publishing doors. Editors and agents have come to realize that authors with an MFA graduate with books that are high quality and may even be ready to publish. 

Some Things Never Change

The nature of the slush pile has changed. Ways to get noticed in the slush pile are now numerous. One thing, however, hasn’t changed at all.

And that’s how you get from the slush pile to an editor’s desk to a bookstore. Quality is the key. In the end, that’s the only thing that will sell your book. Quality of idea–and quality of writing. “Write a good book,” says Cheryl Klein, Senior Editor at a Scholastic imprint and author of Second Sight: An Editor’s Talks on Writing, Revising & Publishing Books for Children and Young Adults.

You don’t have control over electronic slush piles or the economy or the changes in the publishing industry. But you do have control over the most important aspect of your career–the quality of writing.

So focus on that. Write a good book.

(* “The Modern Slush Pile” by Chris Eboch is only one article of thirty-three articles in Writer’s Guide to 2011. The book covers these topics: Markets, Style, Business & Career, Research, Ideas, and Contests & Conferences.)

Attention!

I am re-reading my Simple.ology notebook. Yesterday I was reading the “Law of Focused Attention.” Here are some quotes that stood out to me:

 The things we really want in life sometimes require a lot more attention than we are willing to give.

Throughout our lives, most of our attention is focused on things other than our desired targets–this is one of the primary reasons why we fail.

We may have a clear vision of what we want, but if we don’t have focused attention, we will never hit our targets.

What About You?

Question #1: Where is your attention focused today?

Question #2: What are your writing goals?

Question#3: Where does your attention need to be focused today?

Writing to Heal

How essential is writing to your basic well-being? Does not writing distress you?

I’ve been thinking about these questions this week as I’ve journaled and worked through the book Writing For Emotional Balance: A Guided Journal To Help You Manage Overwhelming Emotions. I shouldn’t be surprised anymore, but I was astounded at the relief (and practical help) I found simply through journaling.

I use the Life Journal software, password protected, and I found it so helpful, coupled with the exercises in the book. Writing means a lot to me for many reasons: a way to heal, a way to make a living, a way to connect with readers, and a lot of fun.

So I have this question for you: 

What does writing mean to you?

To kickstart your thinking, here are some famous writers’ opinions. Ray Bradbury is quoted as saying: “Writing is survival… Not to write, for many of us, is to die. I have learned, on my journeys, that if I let a day go by without writing, I grow uneasy. Two days and I am in tremor. Three and I suspect lunacy. Four and I might as well be a hog, suffering the flux in a wallow. An hour’s writing is tonic. I’m on my feet, running in circles, and yelling for a clean pair of spats.”

What does writing mean to you?

Alice Walker, author of The Color Purple, said: “Writing is a matter of necessity and that you write to save your life is really true and so far it’s been a very sturdy ladder out of the pit.” She sees writing as a safe and strong and dependable way out of a pit.

Again: What does writing mean to you?

Writers: Sitting Fit Anytime

One of my health goals is to stop taking so much aspirin and other painkillers. It causes more problems than it helps. This has been an ongoing goal for years, and recently I found something amazingly simple that is really helping!

The Painful Side of Writing

When I started writing, I don’t recall ever reading anything about health problems associated with writing. But sitting for hours, especially at a computer, takes a toll on your neck, back, wrists, and hands. The associated headaches and back pain keep many writers on painkillers of one sort or another.

Then my daughter suggested that I get some yoga DVDs. My initial reaction was negative. My mental image of yoga was of some spaced-out chanting person twisted into an inhuman pretzel. Not for me!

Yoga for Writers (and other stiff people)

I quickly learned that my ideas were outdated. From my library, I checked out “Healing Yoga for Aches & Pains,” which was as soothing as a massage (and got rid of my headache!) I have yet to try “Yoga for Inflexible People.” My favorite DVD so far is Yoga: Sitting Fit Anytime, which has nine separate 3-5 minute segments addressing individual needs of people who sit at computers for hours.

It’s easy to follow, you do it sitting, and it targets neck and shoulder tension, lower back pain, upper back pain, tight hamstrings, headaches, and carpal tunnel problems. There was even a segment for stiff hands and fingers. There was no chanting. 😎 (FYI: I skip the New Agey intro–not for me! Just want the stretches.)

Preventive and Restorative

If you don’t have aches and pains from writing, thank heaven. But also consider doing some routine stretching to prevent developing such problems. If you already suffer from head, back and/or arm pain, consider yoga as a drug-free solution. Your body–AND creative mind–will thank you.

[P.S. If you long-time faithful readers thought this sounded like a repeat, you’re right. Had a ripping headache today that I finally got rid of with the DVD stretches! Thought you all might need the same reminder I did.]

Fillers and Drainers

I heard a sermon awhile back about life being filled with “fillers” and “drainers.” The pastor was talking about people, of course.

Fillers are people who know how to encourage you and build you up. Drainers are in your life because they need encouragement and help; however, they don’t have time for you if you need something in return. (You know the type. They think a “give and take” relationship means, “You give, and I take.”)

A rare person is both a filler and a drainer in your life, and you’re blessed if you have a person or two like that in your family or circle of friends.

Writing Relationships

If we narrow the “fillers and drainers” idea down to writers, I think you will find the idea holds true there as well. You will meet filler writers who are great encouragers for you, who help keep your self-esteem intact through the tough times of rejection, writer’s block, poor sales and negative reviews.

And you’ll meet drainer writers, those who nail you in the restroom at the writer’s conference and want you to give a free critique, then introduce them to your agent or editor.

Occasionally you will meet a treasure: a writer who is both filler and drainer. When you do, treat this priceless person well, and do all you can to sustain the relationship(s).

It’s Your Choice

What kind of writer are you? You may not know other writers yet, so you might not be sure. But you’ll eventually meet writers at conferences, retreats, local writer gatherings or book store signings and readings. In the writing relationships you form, strive to be a filler as well as a drainer.

If you’re unpublished or newly published, you might think you have nothing to offer. Not true! You don’t have to be published to be an encourager, an uplifter, or a good listening ear. Publishing advice isn’t the only thing other writers need. In fact, I would guess (from my experience) that it’s not even near the top of the list. (That’s why my blog is focused on the emotional issues of writing rather than how to plot or build characters or write a winning query.)

Do a Self-Check

After you attend your next writing event (large or small) ask yourself: “Was I filler or a drainer today?” Did you make encouraging comments as well as ask for help? Did you give as well as take? If you can find that kind of balance, you’ll be able to build writing relationships that will last a lifetime.

Blessings or Brutality?

I took a break today from doing final revisions on a novel and picked up a little writing book called Some Writers Deserve to Starve! (31 Brutal Truths About the Publishing Industry) by Elaura Niles. I don’t find the chapters very brutal–just honest. And I agree with nearly all of them.

If you’ve been writing any length of time at all, chapters like “Putting Words on a Page Does Not Obligate Anyone to Read Them,” “All Publishers Are Not Created Equal,” and “Writing Conferences Cost Bucks” will resonate with you! Frankly, I expect there is a great deal of truth in all 31 of Ms. Niles’ chapters, but I have been spared a lot of it.

What About This One?

Two of the author’s brutal truth chapters are “Writers Rarely Help Other Writers” and “Not All Critique Groups Are Critique Groups.” Because I’ve seen what she described over the years in various groups [that didn’t work for me], I believe she is right much of the time. But it also reminded me how wonderfully blessed I am to have a writer friend who DOES help me.

From time to time, I trade manuscripts with a writer friend in Australia. Her thoughtful responses in the detailed critiques have been very helpful in many areas: strengthening endings, picking up loose plot threads I had inadvertently dropped, telling me which chapters dragged, etc. I’m grateful for her honesty–which is NOT brutal.

How About You?

What has been YOUR experience with critiques and critique groups? Have they been helpful–or not so much? Is the advice good–or in such conflict that you don’t know what to believe? Give me your thoughts.